Structuralists
Saussure's ideas spread first to Russia, being brought there and developed by Ramon Jacobson (1896-1982). Strictly speaking, the product was not Stucturalism, which dates from Jakobson's acquaintance with Lévi-Strauss in the 1960's, but formalism: study of the devices by which literary language makes itself distinctive. Poetry was the great love of the Russian formalists (who knew personally the revolutionary poets) and they looked intensively and dispassionately at the structures and devices that literature employs, whether Pushkin or seemingly artless fairy stories. But as Marxist ideology tightened its grip, the member of the Russian school, never a very tightly knit group, either recanted or fled abroad. Jakobson went to Czechoslovakia and then to the USA, but took with him the very speculative nature of Russian formalism: brilliant theories, but poor documentation and few laboratory studies.
Jakobson made little impact in Prague, which had its own traditions, but in America was able to draw on and develop the ideas of structural anthropology: that the behaviour of societies is governed by deep, scarcely visible rules and understandings. As such, Jakobson's views merged with those of continental philosophy and sociology — with Althusser's reinterpretation of Marx, that language was ideology, a hidden reality, an alternative source of state power. Also with Barthe's attempt to explain the multiplicity of French society from a few underlying suppositions. And with Foucault's genealogy. Meanwhile, Emile Benaviste had rewritten Saussure (as most Structuralists and Post-structuralists were to do) to conceive the signified as not inside individual minds but part of any ever-present social reality. Gradually it is not the individual, nor the society, but language itself that becomes the defining reality: a view that leads on to Posmodernism.
Jakobson had some novel ideas of his own. There was, he proposed, a relatively simple, orderly and universal psychological system underlying the three to eight thousand odd languages in the world. Despite the many ways phonemes (basic units of sound) are produced by human mouths, all could be represented in binary structures (open-closed, back-front, etc.) governed by 12 levels of precedence. Binary structures are written into Lévi-Strauss's views, and these notions fitted with information theory and sound spectrography. But languages in fact use a good deal more than two of any"mouth settings", phonemes do not have an independent existence, and 12 levels will not serve. Chomsky and Halle (1968) proposed 43 such rules, often complex, before abandoning the approach. Jakobson also defined poetic language as the projection onto the horizon syntagmatic axis (how words fit together in a sentence) of the vertical paradigmatic (how word are associated and can replace each other), another audacious theory that proved largely vacuous.
Descriptionists
The besetting sin of Structuralism (as of current literary theory) is its want of evidence: theories are dreamt up in the study rather than fashioned to meet field observations or laboratory experiment. That criticism cannot be laid at the door of Boas, Bloomfield and other American researchers who in the first half of this century went out to closely observe languages as native speakers use them. Indeed, so concerned were they to avoid the strictures of Logical Possitivism, that they adopted a behaviourist approach, excluding mind altogether. Language was simply inputs and outputs: how the brain handled its data was not something one could observe, and was therefore not science. Huge dossiers of information were built up, particularly on native American languages, but little that resolved itself into laws or general principles.
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